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Tuesday, March 03, 2015

Oliver Brabbins Checklist (Part 1)

The following checklist encompasses Oliver Brabbins' output of covers at the cheaper end of the paperback market in the period up to 1954.

Hamilton & Co.
Valley of Death by W. Richard Hutton (Dec 1946)
Futuristic Stories No.2 (Dec 1946)
Strange Adventures No.2 (Jan 1947)
The Prairie Trail by Joel Johnson (Feb 1947)
Reckless Journey by John Eagle (1947)
Blazing Guns by N. Wesley Firth (1947)
Open Holsters by N. Wesley Firth (1947)
? Orchid Lady by Sheila A. Firth (1948?)
Broadway Racket by W. R. Hutton (1948?)
Wayward Wife by Ann Lemorris (1948?)
Skeleton Canyon by Lance Netton (1948)
Redheads Are Poison by Bevis Winter (1948)
Gun Treachery by Bruff Curfew (Mar 1948)
Thundering Hooves by Frank Griffin (Jul 1948)
Arizona Rangers by Denis Hughes (Jul 1948)
Rusters of the Rockies by David C. Steele (Jul 1948)
Enchanted Love by June Bryony (Sep 1948)
Smoking Guns by Bert Forde (Dec 1948)
Dangerous Bachelor by Jean Wattson (Jan 1949)
Love's Dilemma by June Bryony (1949?)
Love's Desire by Carrie Lancaster (1949?)
Operator from Chicago by Duff Johnson (Jan 1950) as 'G'
East-Side Assignment by Ross Kirby (Jan 1950) as 'G'
No Dice Sister by Bart Carson (1950?) as 'G'
Ransom for Miss Le Grun by Bruno Schwarz (1950) as 'G'

Grant Hughes
Guns and Saddles by Earl Ellison (Feb 1948)
Rough Riders by W. R. Hutton (1948)
The Fighting Sheriff by Morton T. Cayne (May 1948)
Black Stage Canyon by Denis Hughes (May 1948)
Riders of Ghost Valley by Joel Johnson (May 1948)
Dead Man's Creek by Rex Noland (Jun 1948)
He Was My Master by William Newton (Dec 1948)
Brand of the Outlaw by Jackson Evans (Jan 1949)

Maurice Hall
Fifth Avenue Number (1948?)

Bear Hudson
Thrilling Romances No.4 (Jul 1948)
Rip-Roaring Western (Aug 1948)

Paget Publications
Frame Up by Johnny Mack (1948)
Showdown by Johnny Mack (1948)
Paget's 1/- Westerns 1-4 (1948-49)
Of Sterner Stuff by Gaston Clair (Sep 1948)
Fall Guy by Johnny Mack (Sep 1948)
Shakedown by Johnny Mack (Sep 1948)
Come Live with Me by Sylvia Silk (Sep 1948)
Apache Arroyo by Buck Connor (Nov 1948)
Gunsmoke in Rimrock by Chuck Leroy (Nov 1948)
Pay-Off by Johnny Mack (Dec 1948)
Shamus by Johnny Mack (Dec 1948)
Harem Girl by Pat Reagan (Dec 1948)
Two Loves for Tricia by Sylvia Silk (Dec 1948)
Written in Sand by Louis Arthur Cunningham (Mar 1949)
Body in the Boathouse by Johnny Mack (Mar 1949)
The Riddle in Wax by Frank Peppe (Mar 1949)
Murder of a Musician by "Capstan" (Aug 1949)
Dancing with Danger by Peter Webb (Sep 1951)

Forsyte Press
Trigger Serenate by Jed Brady (Mar 1949)

Tempest Publishing
I'll Hire the Hearse by Michael Lisle (1949)

Curtis Warren
Girls for Sale by Nick Baroni (1950?)
? High Heels and Scanties by Nick Baroni (1950)
Miss Susan Regrets by Brett Vane (1950)
Shapely Lady by Nick Baroni (1951)

Park Trading Co.
Hollywood Number (1950?)

Arrow Books
200 Green Willow by Ethel Mannin (Jun 1950) 

Scion
Waterfront Rat by Danny Spade (Apr 1951) as Gilmore
Easy Come, Easy Go by Al Bocca (May 1951) as Gilmore
Some Stay Dumb by Dint Maddox (May 1951) as Gilmore
Move Fast, Brother! by Danny Spade (May 1951) as Gilmore
Double Snatch by Gray Usher (May 1951) as Gilmore
You Don’t Say! by Hans Lugar (Sep 1951) as Gilmore
The Lady Says When by Dail Ambler (Sep 1952)
Live Till You Die by Ross Angel (Sep 1952)
Nothing to Hide by Nick Perrelli (Sep 1952)
Corpse at College by Max Risco (Nov 1952)

Beacon Publishing
Chicago Strip Tease by Ben Sarto (1951)
A Street Woman by Paul Renin (Nov 1951)

Modern Fiction
Back-Alley Blonde by Griff (Jan 1952)
Too Tough to Live by Griff (Feb 1952)
That Room in Camden Town by Griff (Oct 1952)

Pinnacle Books
1 Claudia by Rose Franken (Apr 1952)
4 Young Claudia by Rose Franken (Apr 1952)
6 From Claudia to David by Rose Franken (Apr 1952)
Spanish Holiday by Phyllis Sutton (1952)

Gannet Press
Tough Dames Don't Cry by Bud Cagson (Jun 1953)

Atlantic Books
Battle of Devil Hole by Arthur Groom (Apr 1954)

Monday, March 02, 2015

Oliver Brabbins

Oliver Gilmore Brabbins was born in Toxteth Park, Lancashire, on 2 May 1912. He was the eldest child of Oliver Brabbins (1881-1942), a Liverpool-born house painter who, at the age of 30, had married 24-year-old Irish girl, Serena Radcliffe Gilmore (1887-1951).

Oliver grew up in Toxteth Park where his sister Patricia was born in 1918. She subsequently married, in 1942, a Norwegian sailor named Finn Osker Gjersoe. She continued to live in Liverpool, although her death (in 2006) was registered in Warrington, aged 88.

He trained at the Liverpool School of Art. In 1939, on the outbreak of war, BrabbinsIn January 1942 he joined the Royal Navy and for the majority of his service worked as an artist in the Royal Naval Film Unit, producing paintings and drawings for educational films. 

Of Oliver's early career, little is known. After training at the Liverpool School of Art he moved to London. He was living at 16 Doughty Street, St Pancras, London W.C.1, when the Second World War began in 1939 and joined the St Pancras ARP as a Stretcher Bearer and served throughout the Blitz and subsequent air raids on London.

Brabbins then joined the Royal Navy and worked for the bulk of his service as an artist in the Royal Navy Film Unit, producing paintings and drawings for educational films.

After the war, Brabbins lived at various addresses in London: 23 Oakley Street, Chelsea [fl.1947/48], 71 Eardley Crescent, Earls Court [fl.1948] and Flat 5, 8 Avonmore Road, London W.14 [fl.1950/63] before he moved to 1 Trinity Crescent, Tooting Bec, London S.W.17, in around 1963 or 1964, which is where he remained until his death.
Brabbins was a prolific painter and watercolours, acryllic and oil paintings often come up for auction. His earliest surviving works date from the war, oil paintings of a minesweeper's wheelhouse (part of the Imperial War Museum collection) and a submarine's torpedo room (at the Walker Art Gallery, Liverpool) date from 1944 and 1945 respectively.

Some of the artists' early post-war travels can be followed through his paintings, which include a harbour scene at Oslo dated 1946 and a canal in Amsterdam dated 1947.

In the late 1940s, Brabbins became involved with the burgeoning cheap paperback industry, supplying covers especially to Hamilton & Co., with whom he was associated for two years between 1946-48. Brabbins' earliest known cover (Valley of Death by W. Richard Hutton) was followed by two odd science fiction covers for Hamiltons' Futuristic Stories and Strange Adventures and a slew of romantic and western covers.

Brabbins also produced covers for Grant Hughes, Bear Hudson and Curtis Warren—all related one way or another to Hamilton—and was a regular cover artist for Paget Publications in 1948-49 (one later cover may have been left over from this period).

As the decade turned, Brabbins found work with other publishers, including Arrow Books, Modern Fiction, W. H. Allen (Pinnacle Books) and Scion Ltd. A painting of the Coronation was presumably executed in 1953 and one of Shoreham Yacht Club dates from 1954, proving that Brabbins did not limit himself solely to book covers during this period.

A 1955 passenger manifest notes a trip to Montreal, Canada, and another trip took Brabbins to America for four months in 1956. Whilst in America, Brabbins took the opportunity to travel and one of his paintings, a watercolour over pen and ink drawing of Orleans Street in New Orleans, dated 1956, was sold in 2004.

The trip may be responsible for the sudden appearance of a number of covers by Brabbins from a New York paperback outfit named Graphic Books. According to Kevin Smith's Thrilling Detective website, the company was "Run by Samuel Tankel and Zane Bouregy, Graphic Books was a short-lived New York publisher of paperback originals, mostly mysteries, that thrived from about 1949 to 1957. Now mostly recalled for their deliciously sleazy covers, not their literary merit."

The association did not last long, which was a pattern of Brabbins's work. The Canada trip may have been paid for by sales to Pan Books in early 1955, but his output for that company amounted to only a handful of titles. His brief contributions to Panther Books and Four Square Books may be explained by a lengthier and more productive association with Corgi Books, which was his main publisher in the late 1950s, although more research may reveal that he was also a prolific dust jacket illustrator for Ward Lock and Hodder & Stoughton, both of whom certainly published a few of his covers in the same period.

Brabbins's output seems to have tailed off in the 1960s. It is certain that he continued to paint—examples of undated portraits, pictures of film stars and still life subjects have come up for auction over the years—but his output of book covers certainly seems to have slowed down and he may have turned to other markets. Illustrations for women's magazines, for example. He is known to have contributed to Woman's Realm in the 1960s.

Of his life outside his artwork nothing is known. He appears to have never married and the only story I have heard of a meeting with the artist dates from around 1968 and paints a rather sorry picture of the man: a curmudgeon living in a gone-to-seed house in Tooting, South London. Brabbins owned an old Bentley that had seen better days and needed extensive repairs to the coachwork, rotten through years of neglect in a damp garage. As time went on, it became clear that the artist did not have the means to pay for the repairs, so offered to paint a portrait of the mechanic doing the work. The painting was a long time coming, but eventually was hung in the home of the mechanic's mother.

The changing style of book covers caused many artists difficulties in the 1960s. Some were able to adapt and find new markets; unfortunately, Oliver Brabbins appears to have struggled in his final years, which ended with his death on 15 June 1973, aged only 61.

Saturday, February 28, 2015

John Cooper (1942-2015)

John Cooper, who has died aged 72, had a career in comics that spanned five decades and dozens of characters, although it will be for two action-packed and often violent strips that he will be remembered, one the memorable precursor to ‘Judge Dredd’.

In 1975, John Wagner was appointed editor of the ailing Valiant, whose sales had fallen in line with many other comics during the turbulent early Seventies oil crisis. Cover prices had soared and Wagner was tasked with updating the comic for a modern audience. Wagner’s key creation for the relaunch was ‘One-Eyed Jack’, a tough street cop based shamelessly on Clint Eastwood’s Dirty Harry. Cooper took Eastwood as his model for the artwork and gave him Steve McQueen’s Mustang (from Bullitt) to drive. Wagner’s scripts were gritty, violent and often blackly humorous, a style of writing he would continue when he created Judge Dredd—another violent cop in an east coast American city—for 2000AD soon after.

Cooper was one of the first artists to draw the new character, but his story, ‘Mugger’s Moon’, was held back. Cooper later claimed that he had been asked to tone down the violence—his artwork arriving in the 2000AD office just as another comic, Action, was pulled from the newsstands. “They sent it back to me and said, ‘It’s too violent, John’,” Cooper said. “These muggers come after [Dredd] with guns and he just blew them all away—holes straight through them. I loved drawing that.” A toned-down version, with guns replaced with baseball bats, was eventually published in issue 19, by which time other artists (notably Mike McMahon) had established the look of Dredd and a cityscape that no longer matched Cooper’s version.

Instead, Cooper was sidelined, drawing a handful of episodes of ‘M.A.C.H.1’ and some ‘Tharg’s Future Shocks’ for 2000AD. It meant, however, that he was able to take over ‘Johnny Red’, an already popular Second World War strip in Battle Action when the strip’s original artist, Joe Colquhoun, was seconded to another strip. By the time Cooper took over, two-year veteran Colquhoun had established a look for the strip: “I had to slightly imitate his style at the beginning, but I think I just became more like him as I went along,” recalled Cooper. “I liked to do dramatic close-ups but with [Colquhoun-styled] stuff in the background—you’d have someone stood next to a big gun, someone else queuing for the toilet, then there’d be all these building and maybe a burnt-out plane.”

The story was one of Battle Action’s finest, relating how Johnny ‘Red’ Redburn found himself in charge of a Russian flying squadron, leading Falcon Squadron with a battered old Hurricane. “It was gritty, really rough and ready,” recalled Cooper. “All his crew were unshaved, dirty buggers, the planes patched to hell… Tom Tully was a brilliant writer. He was like Wagner in a way: he went for the gut, didn’t pull any punches.”

Over the next five and three-quarter years, Cooper was able to make the strip his own, eventually drawing over 1,100 pages of Johnny’s adventures spread across 303 episodes in the weekly comic, summer specials and annuals.

John Cooper was born in Featherstone, West Yorkshire, in May 1942, the son of Ernest Cooper and his wife Winifred (née Hollis). As a boy, he learned to draw by copying comics, a constant in a life spent travelling to wherever his father, a one-time bus driver, found employment as a pub landlord.  After growing in in Castleford and Wakefield, the family settled in Doncaster and young John helped tend the bar whilst studying in York and at Wakefield Art College.

After working for a shopfitters in Wakefield and for Falcon Studios in Leeds, Cooper decided to go freelance after a conversation with a patron at his father’s pub. He picked a London agent, randomly choosing Billie M. Cooper because of the coincidence of names, who soon found him work, his earliest illustrations appearing in Swift, Girl, Eagle and Boys’ World annuals in the early 1960s. Cooper then found work with a group of titles based around the puppet show creations of Gerry Anderson, his first strip (‘Agent 21’) appearing in the 1968 TV 21 Annual. After briefly taking over the lead strip for Lady Penelope in 1968, Cooper worked more extensively on ‘Captain Scarlet’ in TV21 and took over ‘Thunderbirds’ in the relaunched TV21 & Joe 90 from Frank Bellamy, drawing the strip for eight months.

Cooper continued his association with television shows at Look-In in the 1970s, drawing ‘Flight to Fortune’, ‘Doctor in Charge’, ‘Doctor at Sea’ and ‘Man from Atlantis’ as well as drawing for the girls’ comic Mirabelle, a task he was ill-suited for. He hit his stride in 1975 when he was offered ‘One-Eyed Jack’, which he continued to draw when Valiant merged with Battle Picture Weekly a year later. In keeping with the war theme, Jack transferred from his New York precinct to become an agent for American military intelligence.

Following Jack’s demise in 1977, Cooper drew ‘Gaunt’, about a British spy seeking revenge after his hand is crippled by an SS, before taking on ‘Dredger’ and ‘The General Dies at Dawn’ in the newly renamed Battle Action.

For nearly six years, Cooper drew ‘Johnny Red’, bringing a grim reality to Tom Tully’s stories. “I tried to put myself in their position,” he said of the stories’ characters. “It was the realism I enjoyed—that was what was always kicked into me with ‘Johnny Red’: you’ve got to think like them, make it look real, think how they lived.”

Always speedy and versatile, Cooper rarely limited himself to just one strip and he also drew number of war strips for D. C. Thomson’s Warlord, including ‘Sergeant Heavy’ and ‘The Wingless Hawk’, and complete stories for Eagle and Scream!!.

In 1983 Battle Action joined forces with Kenner Products to promote the Action Force toy line, eventually becoming Battle Action Force. Cooper became one of the main artists in the ongoing battle against Cobra for two and a half years.

Coopers’ output continued to appear in Eagle (‘Ultimate Warrior’ / ‘Computer Warrior’), Battle (‘Stormforce’), Mask, Ring Raiders and Victor, where he drew one of Thomson’s classic characters, ‘Morgyn the Mighty’. In 1990, he was asked by David Hunt to draw a football strip and, although he had no great love of the game, he took to the task with relish, eventually drawing ‘Goalmouth’ and ‘Hammersmith F.C.’ for Roy of the Rovers and working with Peter Nash on ‘Striker’ for the Sun newspaper.

During the Gerry Anderson revival of the early 1990s, Cooper found himself once again drawing Stingray, Captain Scarlet and Thunderbirds.

With boys’ comics in short supply by the late Nineties, Cooper drew a parody football strip, ‘Roy of the Losers’, for Private Eye until the early Noughties. He also worked for the BBC, ITV and Channel 4, drawing caricatures and illustrating news stories where no visuals were available. Cooper was an early adopter of computers for work, and would take a drawing made with brush and pen and scan it into an Apple Mac, where he could make any finishing touches using Photoshop.

Following the publication of a short graphic novel Richard the Lionheart: The Life of a King and Crusader by David West & Jackie Gaff (Brighton, Book House, 2005), it was suggested that Cooper contact 2000AD again. This led initially to a one-off ‘Tharg’s Terror Tales’ episode in 2006 and then to taking over the futuristic crime drama (and Judge Dredd spin-off) ‘Armitage’ in 2008 in Judge Dredd The Megazine. His last episodes appeared in 2010.

In later life, Cooper suffered from chronic obstructive pulmonary disease, which often left him tired and breathless. Although retired from comics, he satisfied his urge to keep drawing by producing maritime paintings, which found a ready market. In 2010, Cooper and others helped raise money to fund a new local RNLI lifeboat in Bridlington, which Cooper dubbed the Windsor Spirit at its naming ceremony.

Cooper passed away on 22 February 2015 after a short illness, survived by his second wife, Lesley, and two children from his first marriage.

(* The Action Force picture above was a private commission found here.)

Friday, February 27, 2015

Comic Cuts - 27 February 2015

I've reached a decision with the Don Lawrence Scrapbook to have it printed in China. The details still need to be worked out but the costs of producing the book in the UK in the way that I normally do make it uneconomical. I've had to think long and hard about this and, frankly, it has been a drain on my energy. Now the decision has been made, hopefully I'll be able to pick up my pace and get the book finished.

I did finish the clean-up on the 'Herod the Great' artwork and I will be back on layouts by the time you read this. I'm resizing the book so I'm scrapping everything I've done so far and starting again—so you can understand why this has been such a big decision to take. And frustrating as all hell as I wanted to have the book finished by the end of the month, which isn't going to happen now.

Frustrating for those of you who are looking forward to the book, too. But at the end of the day, the book will be better for the decisions being taken now. The next couple of books from me will come through a lot quicker, I promise.

A couple of books have been brought to my attention that might be of interest. Rich Thomassen has penned En MAZ creëerde Dick Bos, a 348-page biography of Alfred Mazure, a Dutch artist who moved to the UK, where he worked on a variety of newspaper strips, notably 'Romeo Brown' and 'Jane, Daughter of Jane' for the Daily Mirror. Mazure also wrote three novels.

'Dick Bos' was the character he was most famous for in Holland, a policier series banned by the Germans during WW2 and revived after the war a couple of times. You can find out more at the website of the publisher, Aspekt. (And here's a Google translation of that description for the non-Dutch speakers amongst us.)

Francis Durbridge: A Centerary Appreciation is a self-published book by Melvyn Barnes, surveying the novels and plays penned by Durbridge for radio, television, the stage and cinema. Barnes covers Durbridge's output in great detail, including cast lists and plot summaries. Although not a biography, per se, I do know that Melvyn was able to get biographical details from Durbridge's family, which will hopefully fill gaps in our knowledge of this fascinating writer.

The book runs to 140 pages and costs £10.99. For further information, the author can be contacted at melvyn.barnes AT oldnewton.com.

I mentioned last week that I was heading out to see Richard Herring last Friday. We had a great time and thoroughly enjoyed ourselves. I think this is the fifth time we've seen Herring at the Colchester Arts Centre (although it seems like more because we're fans of his podcasts and video releases) and this has been one of his best appearances. His shows of late have tackled some of the bigger questions in life (love, death, sex and religion) but this one is a little looser, a series of shorter, sketchier stories themed around Herring's feelings of inertia about his career. At the same time it celebrates some of the dafter decisions he's made and is a far livelier and funnier show than last year's We're All Going to Die.

Seeing Herring has meant I've been able to complete a lengthy quest to get my copies of Fist of Fun autographed. The first volume was completed a few weeks ago when I  got Stewart Lee's signature. For volume two I set myself the task of getting them to sign one of their catchphrases. You have to know the show to get it, but "Aaaaah!", "No, not 'Aaaaah'!" is hilarious. In context. Honest.

Random scans this week are a quartet of noir crime covers by Oliver Brabbins. I've come back to Brabbins fairly regularly in the four years I've been running these sets of scans. (Four years???? I think I started some time in 2010, so we must be coming up for the fifth birthday of this feature some time soon.) But about Brabbins... he was a superb artist, at his best on a series of crime novels published by Corgi Books in the late 1950s. I love his use of colour.

I'm planning to write a little more about Brabbins over the next few days, so there should be more examples of his fine cover art to look forward to. For now, I'll leave you with these excellent examples of the man at his best.

 
 
 

Thursday, February 26, 2015

Commando issues 4787-4790

Commando issues on sale 26th February 2015.

Commando No 4787 – Deadly Drop
After a “friendly fire” incident cost the lives of his comrades, Private Ron Allan clashed violently with a fellow paratrooper, Corporal Alec Brown, the man he held responsible.
   Tensions were still high between them when, en route to a drop zone, history repeated itself. Alec’s Horsa glider smashed into Ron’s sending both spiralling downwards.
   Alec’s life was now in as much danger from his supposed colleague as it was from the Germans — provided they both survived the drop to the hungry sea below…

Story: George Low
Art: Olivera
Cover: Janek Matysiak

Commando No 4788 – Giant Killer
It was a blood-feud in the skies — a fight that began in the First World War between a British ace in a string-bag of a plane and the commander of a huge German Zeppelin…
   It had to be settled in World War II by their sons; sleek Spitfire pitted against merciless Messerschmitt 109, their guns chattering a song of death.

Introduction
Don’t be fooled by Ken Barr’s cover — this is not a First World War tale. That zeppelin that only just fits on the cover is soon replaced by a Bf109; the SE5 becoming a Spitfire. With Peter Ford in charge of the inside art, that means you’re in for a treat as his flying scenes are so well-rendered. His ground scenes are just as good and those of you with good eyesight (or magnifying glasses) may just be able to make out some little extra details in the backgrounds of the scenes. Check out the walls of the crew room and perhaps the notepad on the ground controller’s desk.
   Better not forget Brunt’s “sins of the fathers” script, without which none of this showmanship would be possible. Thank you, sir.—Calum Laird, Commando Editor

Story: Brunt
Art: Peter Ford
Cover: Ken Barr
Originally Commando No 153 (February 1965), re-issued as No 771 (September 1973).

Commando No 4789 – Frozen By Fear
Most jungle firefights are fought over short range and are over in a few minutes. Vision is limited and snap shots at targets are the order of the day.
   Australian Army Corporal Jerry Warner was caught up in one such skirmish. With night falling and his life in jeopardy, he blazed away, knocking down attacker after attacker. Then he was blown unconscious by a mortar blast.
   He survived but that night continued to haunt him — and he couldn’t work out why!

Story: Ferg Handley
Art: Rezzonico
Cover: Janek Matysiak

Commando No 4790 – Flak Fever
Flieger Abwehr Kanone — a German mouthful that was shortened to “flak”, a word dreaded by every Allied pilot. It meant anti-aircraft guns, those multi-barrelled cannon and deadly 88-millimetre guns that could blast attackers out of the sky. Every important target in Nazi Europe bristled with them.
   Mosquito pilot Terry Franklin had met his fair share of flak and it terrified him. Yet here he was in a new squadron whose job it was to attack only the most difficult targets!

Introduction
I imagine that if a current Commando author submitted the idea for “Flak Fever”, he or she might begin by writing something along the lines of, “Our hero is a pilot with PTSD…”
   Because of our modern-day familiarity with military terms such as the one mentioned above, we now know that Post Traumatic Stress Disorder is a serious condition which Armed Forces personnel acknowledge could happen to any one of them.
   However, back when this story was originally scripted, in the mid-1970s, the fictional hero believes that he has simply lost his nerve, and that his own perceived “cowardice” is something that he must hide. It’s an interesting story point, but it is not laboured, and seems all the more realistic for it.—Scott Montgomery, Deputy Editor

Story: R.A. Montague
Art: Gordon Livingstone
Cover: Ian Kennedy
Originally Commando No 1102 (February 1977), re-issued as No 2428 (December 1990).

Wednesday, February 25, 2015

British comics podcasts and broadcasts

2000AD Thrillcast
I don't think I've mentioned that there's a new 2000AD-related podcast now available. The new 2000AD Thrillcast has been running for a couple of weeks, hosted by 2K's PR droid Michael Molcher. The new show a based around the new Hachette series of Judge Dredd graphic novel reprints and has so far covered the America, Mechanismo and Apocalypse War storylines, with interviews with artists Colin McNeil and Carlos Ezquerra and editor Matt Smith amongst others.

Looking back at these stories makes you realise just how rich the Judge Dredd universe has become in the past 30 years. It's well worth listening to Chris Sims of Comics Alliance talking about Dredd's world in the first half of the third episode.

Available from:
Soundcloud
iTunes

Everything Comes Back to 2000AD
This has been running for six years now, originally hosted by Geek Syndicate, and I've dipped in an out over that time. In essence, a couple of fans chat about the latest issues of 2000AD. Some of the strips they like, some of them not so much. Rich McAuliffe, Flint and Pete Wells are the main hosts for this often funny, often sweary trip through the worlds of 2000AD and the Megazine, which earned its own podcast in 2010.

Available from:
Website
iTunes

Panel Borders
Alex Fitch has hosted a regular show about comics for many years and often concentrates on British comics, especially the small press. The shows are broadcast on Resonance 104.4 FM and posted for download at the Panel Borders website.

Available from
Website

(* If you know of any other podcast that covers British comics, old or new, let me know.)

Tuesday, February 24, 2015

Paperback cover artists

This is a listing of paperback cover artists that I compiled back in March 2003 for a possible on-line project that eventually came to nothing. It needs to be updated and I'm sure there are many names that could be added, but this is a reasonable start. Hopefully I'll be able to add to it over time.

Abbott
J. Abbey
Abby
Adams
Allison
Alvaro (see Alvaro Mairani)
Peter Archer
Rex Archer

Baker
Kenneth Barr
Edward Bawden
Frank A. Bellamy
Bellus
Stefan Barany
Graham R. Barkley
Barry
F. Batet
G. Benvenuti
Berbank
John Berry
Val Biro
Ed Blandford
Wayne Blickerstaff
Blofeld
Stephen R. Boldero
Bill Botton
Oliver Brabbins
M. Bradshaw
Brantonne
Brian (?)
August von Breison
Bro (?)
Buck
Reina M. Bull

G.C.
H.C.
L.C.
Campbell
J. F. Campbell
Fernando N. Carcupino
Roy Carnon
Tony Castle
Lance Cattermole
James Cawthorn
Chadwick
Tom Chantrell
Chinn (or Chiri?)
Bob Clothier
Ronald Cobb
Michael Codd
Clive Compton
Connolly
F. A. Cook
R. Cortella
Curtis

Gordon C. Davies
Roger Davis
Neville Dear
DeMarco (see Gerald Facey)
De Seta
De Gaspari
Dimmock
Dion
Dixon
Dobro
Donnell
Serge Drigin

Eastman
Janina Ede
B. W. Elphick
Ron Embleton
Ethrale

K.F.
Gerald Facey
Fairburn
Fisk
Walter Foster
Henry Fox
Ken Freeman
Renato Fratini
Fullerton (possibly Len Fullerton)

A.E.G.
M.G.
A. Games
Leonard P. Gard
Gibson
Terence J. Gilbert
Gillen (?)
Gilmore
John S. Goodall
Peter Green
Grenfield

Peter Hale
Roger Hall
Harman
Havelin (?)
Heade (Reginald C. Webb)
Heinrich
Hans Helweg
Henry
Edgar Hodges
Paul Hogarth
James Holdaway
Holden
A. Holmes
Hofbauer
Walt Howarth
Michael Hubbard
Alan Hunter
Jean leon Huens

Alex Jardine
Jacobson
Jaeger
Jarvis
Harold Johns
Michael Johnson
Arthur Jones
Eddie Jones

Victor Kalin
Karr
Kay
Jack Keay
Kidder
Kimmell (?)
Kimpton
Gordon King
Kinnear
Josh Kirby
Kirkland
Kris
Heinz Kurth

Laurent
Leroi (see R. A. Osborne)
Levi
Michael Leonard
Brian Lewis
Olga Leyhman
Norman Light
Nat Long
David Low
Lowes
John (?) Lodker

F.T.M. (see Terry Maloney)
J.M.
Jas E. McConnell
Ken McIntyre
D. McKeown
Mackintay
McMahon (?)
Alvaro Mairani 
Major (?)
Terry Maloney
Marcus (see Norman Light)
Patricia Marriott
Marshall
Alfred Mazure
Denis McLoughlin
Philip Mendoza
Merchant
Michael
Michel
G. P. Micklewright
Mills
Moger
Reginald Mollo
P. Morgan
Edward Mortelmans
John E. Mortimer

Nichols
S. Nicholson
Noiquet

E.O.
O’Connell
Robert A. Osborne
J. Oval
Pat Owen

D.P.
Pagram
Bip Pares
Eric R. Parker
Neave Parker
Norman Partridge
Paul
Sam Peffer
H. W. Perl
W. Francis Phillipps
Pidelloro
Plante
John Pollock
Powe
Frederic Powell
Leonard Potts
Arnoldo Putzu

Gerard Quinn

E.R.
Dan(?) Rainey
George R. Ratcliffe
James Rattigan
RAW (see Bob Wilkins)
Raymas
Reid
Renul
Richard
John A. Richards
Riddell
Keith Roberts
W. J. Roberts
Rogers (?)
John Rose
Clifford Russeli

J.D.S.
M.S.
R.W.S. (see R. W. Smethurst)
Sandri
Sheila Sanford
Sax (R. M. Sachs)
Gerald Scarfe
Schaare
Schaller
Schaltz
Ronald Searle
Sidney Sheldon
Shilton
Silk
Phillip Simmonds
R. M. Sington (see Reina M. Bull)
Simon
Simpson
R. Skew (?)
Dennis Slack
R. W. Smethurst
Spurrier (?)
James Stark
Stein
Russ Stephen
Glenn Steward
Marcus Stone
Derek A. Stowe
C. Stewart
Stubbs
Sam Suliman
Swee
Symeoni

F.T.
Eric Tansley
Arnold Taylor
David Taylor
Terry (see Terry Maloney)
Ray Theobald
TiT
Tossey
Troppf (?)
C. E. Turner
Harry Turner
Michael Turner
Ron Turner

Peter le Vasseur
Verney
John Vernon
Vibart
Victoral (?)
Vann

A.W.
D.L.W.
J.W.
Eileen Walton
Clixby Watson
Wardill
Geoffrey Whittam
Wilding
Bob Wilkin
David Williams
Carl Wilton
Bruce C. Windo
With (?)
Willett
Harry Winslade
George Woodman
Ken Woodward
David Wright
Wynne (possibly Dudley Wynne)

Monday, February 23, 2015

Attack of the Killer Comics (South of Watford, 1987)

Remember when comics were cool? Back in the late 1980s there was a buzz about comics, about how they were now for grown ups, that they were going to taken to the heart of the mainstream and standing at a bus stop reading a comic would never be embarrassing again.

It lasted for a few months but didn't have much traction with the media, who went on to discover the next big thing, although I can't remember what it was because it is swamped in my memory by so many other hot tickets that were definitely The Next Big Thing.

Here's a fascinating documentary, dating from 1987, in which John (QI) Lloyd takes viewers on a whistle-stop tour of all that was cool about comics at the time—including interviews with Dave Gibbons, Neil Gaiman & Dave McKean, Myra Hancock, Alexei Sayle and Duncan McAlpine, plus clips of Wendy James talking about her Transvision Vamp song 'Hanging Out With Halo Jones' and Chris Amos's play American Eagle performed (I believe) at the the Old Red Lion, fringe theatre in Islington.

Oh, boy... does this bring back some memories!



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Sunday, February 22, 2015

Graeme Flanagan (1947-2015)

I have just learned that veteran Aussie paperback collector Graeme Flanagan died on Saturday, 21 February 2015.

Graeme was interviewed back in 2005 by James Cockington for an article on Australian pulp paperbacks, in which he revealed that he had begun collecting Carter Brown crime novels in High School. Eventually he amassed one of the finest collections of paperbacks in Australia and compiled Australian Vintage Paperback Guide (New York, Gryphon Books, 1994). He also wrote and self-published Robert Bloch: A Bio-Bibliography (1979) and was well known in Australian SF circles.

For some while he ran the Australian Vintage Paperbacks website and a fansite dedicated to Robert McGinnis which was closed in 2008. He subsrquently set up a Pinterest site for his cover scans.

Graeme Kenneth Flanagan, born on 6 June 1947, was a retired public servant, married (to Jill Mary Flanagan) and lived in the suburbs of Canberra, ACT. He was survived by his wife, his children Melinda and David, and five grandchildren.

(* Robert Bloch cover via SFE.)

Saturday, February 21, 2015

British Library Crime Classics Series

The British Library have been publishing a collection of classic crime novels of late which have proven surprisingly popular. Paul Gallagher highlighted the series in an article in The Independent back in December, describing J. Jefferson Farjeon's Mystery In White: A Christmas Crime Story as a "Festive sleeper hit" that was selling in "astonishing numbers". According to Waterstones, it had outsold Gone Girl by Gillian Flynn and The Goldfinch by Donna Tartt and Amazon had temporarily run out of stock the previous week due to surging demand.

The book had sold some 60,000 copies, accounting for 40 percent of sales for the whole series which, at that time, had reached 155,000. According to Joseph Knobbs of Waterstones, sales might reflect readers' yearning for genuine mysteries rather than darker, modern thrillers. "The Crime Classics stand out against the darker crop of contemporary crime fiction and offer something a bit different. A lot of modern stuff skews closer to thriller than mystery." Perhaps true. I think the British Library have made the series stand out with a selection of delightfully old-fashioned covers and with no Poirot or Marple on the TV at the moment, maybe readers who enjoy a cosy murder mystery are looking elsewhere for their devilishly clever murders and drawing room revelations. I hope the series continues for a long time to come.

The Notting Hill Mystery by Charles Warren Adams
British Library 978-0712-25859-0, February 2012, 312pp, £8.99.
Detective fiction at its best, The Notting Hill Mystery was first published as an eight part serial between 1862 and 1863 in the magazine Once a Week, written under the pseudonym Charles Felix. It has been widely described as the first detective fiction novel, pre-dating as it does other novels such as Wilkie Collins’s The Moonstone (1868) and Emile Gaboriau’s first Monsieur Lecoq novel (1869) that have previously claimed that accolade.
    The story is told by insurance investigator Ralph Henderson, who is building a case against the sinister Baron ‘R___’, suspected of murdering his wife in order to obtain significant life insurance payments. Henderson descends into a maze of intrigue including a diabolical mesmerist, kidnapping by gypsies, slow-poisoners, a rich uncle’s will and three murders. Presented in the form of diary entries, family letters, chemical analysis reports, interviews with witnesses and a crime scene map, the novel displays innovative techniques that would not become common features of detective fiction until the 1920s.
    Now made available again, with George du Maurier’s original illustrations included for the first time since the original serial publication, this new edition of The Notting Hill Mystery will be welcomed by all fans of detective fiction.

The Female Detective
British Library, 978-0712-35878-1, October 2012, 328pp, £8.99.
British Library 978-0712-35759-3, August 2014, 328pp, £8.99.
The Female Detective is the first novel in British fiction to feature a professional female detective. Written by Andrew Forrester, it was originally published in 1864. The protagonist is Miss Gladden, or 'G' as she is also known - the precursor to Miss Marple, Mma Ramotswe and Lisbeth Salander.
    Miss Gladden's deductive methods and energetic approach anticipate those of Arthur Conan Doyle’s Sherlock Holmes, and she can be seen as beginning a powerful tradition of female detectives in these 7 short stories. 'G' uses similar methods to her male counterparts – she enters scenes of crime incognito, tracking down killers while trying to conceal her own tracks and her identity from others
    'G', the first female detective, does much physical detective work, examining crime scenes, looking for clues and employing all manner of skill, subterfuge, observation and charm solve crimes. Like Holmes, 'G' regards the regular constabulary with disdain. For all the intrigue and interest of the stories, little is ever revealed about 'G' herself, and her personal circumstances remain a mystery throughout. But it is her ability to apply her considerable energy and intelligence to solve crimes that is her greatest appeal, and the reappearance of the original lady detective will be welcomed by fans of crime fiction.

Revelations of a Lady Detective by W. Stephens Hayward
British Library 978-0712-35896-5, February 2013, 320pp, £8.99.
`owing to frequent acquaintance with peril, I had become unusually hardened for a woman`
    Mrs Paschal is only the second ever professional female detective to feature in a work of fiction, pipped to the post by just 6 months by Andrew Forrester’s The Lady Detective (republished by The British Library in 2012). Both were published in 1864 and are of historical significance because for over 20 years they remained the only books to feature a female detective as the protagonist.
    Mrs Paschal, the heroine of Revelations of a Lady Detective, is regularly consulted by the police and serves as an undercover agent as well as investigating her own cases. She throws herself into cases with verve and gusto and has no hesitation in infiltrating a deadly society or casting off her crinolines in order to plummet into a sewer on the trail of a criminal.

Mr Bazalgette's Agent by Leonard Merrick
British Library 978-0712- 9, September 2013, 144pp, £6.99.
‘Here is a business where breeding must be a recommendation .... Here is a work where beauty is a passport’
    When Miriam Lea falls on hard times, an advertisement for private agents catches her eye, and within weeks she finds herself in Mr Bazalgette’s employ as a private detective, travelling on a train to Hamburg in pursuit of an audacious fraudster. What follows is a journey through some of the great cities of Europe – and eventually to South Africa - as Miss Lea attempts to find her man.
    Miriam Lea is only the third ever professional female detective to appear in a work of crime fiction. Originally published in 1888, Mr Bazalgette’s Agent presents a determined and resourceful heroine in the figure of Miss Lea, who grapples with some very modern dilemmas of female virtue and vice.
    Leonard Merrick said of the book, his first: ‘It’s a terrible book. It’s the worst thing I ever wrote. I bought them all up and destroyed them. You can’t find any.’ It seems Merrick was true to his word since copies of the book can now only be found in private collections and in a handful of university and national libraries throughout the world. This new edition offers the modern crime fiction fan an opportunity to rediscover an enticing and rare detective story.

The Santa Klaus Murder by Mavis Doriel Hay
British Library 978-0712-35712-8, November 2013, 288pp, £8.99.
Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered – by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos. Nearly every member of the party stands to reap some sort of benefit from Sir Osmond’s death, but Santa Klaus, the one person who seems to have every opportunity to fire the shot, has no apparent motive.
    Various members of the family have their private suspicions about the identity of the murderer, and the Chief Constable of Haulmshire, who begins his investigations by saying that he knows the family too well and that is his difficulty, wishes before long that he understood them better. In the midst of mistrust, suspicion and hatred, it emerges that there was not one Santa Klaus, but two.

The Lake District Murder by John Bude
British Library 978-0712-35716-6, March 2014, 288pp, £8.99.
Luke flung the light of his torch full onto the face of the immobile figure. Then he had the shock of his life. The man had no face! Where his face should have been was a sort of inhuman, uniform blank!
    When a body is found at an isolated garage, Inspector Meredith is drawn into a complex investigation where every clue leads to another puzzle: was this a suicide, or something more sinister? Why was the dead man planning to flee the country? And how is this connected to the shady business dealings of the garage?
    This classic mystery novel is set amidst the stunning scenery of a small village in the Lake District. It is now republished for the first time since the 1930s.

The Cornish Coast Murder by John Bude
British Library 978-0712-35715-9, March 2014, 288pp, £8.99.
‘Never, even in his most optimistic moments, had he visualised a scene of this nature – himself in one arm-chair, a police officer in another, and between them… a mystery.’
    The Reverend Dodd, vicar of the quiet Cornish village of Boscawen, spends his evenings reading detective stories by the fireside – but heaven forbid that the shadow of any real crime should ever fall across his seaside parish. But the vicar’s peace is shattered one stormy night when Julius Tregarthan, a secretive and ill-tempered magistrate, is found at his house in Boscawen with a bullet through his head.
    The local police inspector is baffled by the complete absence of clues. Suspicion seems to fall on Tregarthan’s niece, Ruth – but surely that young woman lacks the motive to shoot her uncle dead in cold blood? Luckily for Inspector Bigswell, the Reverend Dodd is on hand, and ready to put his keen understanding of the criminal mind to the test. This classic mystery novel of the golden age of British crime fiction is set against the vividly described backdrop of a fishing village on Cornwall’s Atlantic coast. It is now republished for the first time since the 1930s, with a new introduction by Martin Edwards.

Death on the Cherwell by Mavis Doriel Hay
British Library 978-0712-35726-5, March 2014, 288pp, £8.99.
For Miss Cordell, principal of Persephone College, there are two great evils to be feared: unladylike behaviour among her students, and bad publicity for the college. So her prim and cosy world is turned upside down when a secret society of undergraduates meets by the river on a gloomy January afternoon, only to find the drowned body of the college bursar floating in her canoe.
    The police assume that a student prank got out of hand, but the resourceful Persephone girls suspect foul play, and take the investigation into their own hands. Soon they uncover the tangled secrets that led to the bursar’s death – and the clues that point to a fellow student.

Murder Underground by Mavis Doriel Hay
British Library 978-0712-35725-8, March 2014, 288pp, £8.99.
‘This detective novel is much more than interesting. The numerous characters are well differentiated, and include one of the most feckless, exasperating and lifelike literary men that ever confused a trail.’ Dorothy L. Sayers, Sunday Times, 1934.
    When Miss Pongleton is found murdered on the stairs of Belsize Park station, her fellow-boarders in the Frampton Hotel are not overwhelmed with grief at the death of a tiresome old woman. But they all have their theories about the identity of the murderer, and help to unravel the mystery of who killed the wealthy ‘Pongle’. Several of her fellow residents – even Tuppy the terrier – have a part to play in the events that lead to a dramatic arrest.

A Scream in Soho by John G. Brndon
British Library 978-0712-35745-6, September 2014, 256pp, £8.99.
‘For a scream in the early hours of the morning in Soho, even from a female throat, to stop dead in his tracks a hard-boiled constable, it had to be something entirely out of the ordinary.’
    Soho during the blackouts of the Second World War. When a piercing scream rends the air and a bloodied knife is found, Detective Inspector MacCarthy is soon on the scene. He must move through the dark, seedy Soho underworld – peopled by Italian gangsters, cross-dressing German spies and glamorous Austrian aristocrats – as he attempts to unravel the connection between the mysterious Madame Rohner and the theft of secret anti-aircraft defence plans.

The Sussex Downs Mystery by John Bude
British Library 978-0712-35796-8, October 2014, 288pp, £8.99.
'Already it looked as if the police were up against a carefully planned and cleverly executed murder, and, what was more, a murder without a corpse!'
    Two brothers, John and William Rother, live together at Chalklands Farm in the beautiful Sussex Downs. Their peaceful rural life is shattered when John Rother disappears and his abandoned car is found. Has he been kidnapped? Or is his disappearance more sinister - connected, perhaps, to his growing rather too friendly with his brother's wife?
    Superintendent Meredith is called to investigate - and begins to suspect the worst when human bones are discovered on Chalklands farmland. His patient, careful detective method begins slowly to untangle the clues as suspicion shifts from one character to the next.

Mystery in White by J. Jefferson Farjeon
British Library 978-0712-35770-8, November 2014, 256pp, £8.99.
The horror on the train, great though it may turn out to be, will not compare with the horror that exists here, in this house.’
    On Christmas Eve, heavy snowfall brings a train to a halt near the village of Hemmersby. Several passengers take shelter in a deserted country house, where the fire has been lit and the table laid for tea – but no one is at home.
     Trapped together for Christmas, the passengers are seeking to unravel the secrets of the empty house when a murderer strikes in their midst.

Murder in Piccadilly by Charles Kingston
British Library 978-0712-35795-1, January 2015, 320pp, £8.99.
‘Scores of men and women died daily in London, but on this day of days one of them had died in the very midst of a crowd and the cause of his death was a dagger piercing his heart. Death had become something very real.’
    When Bobbie Cheldon falls in love with a pretty young dancer at the Frozen Fang night club in Soho, he has every hope of an idyllic marriage. But Nancy has more worldly ideas about her future: she is attracted not so much to Bobbie as to the fortune he expects to inherit.
    Bobbie’s miserly uncle Massy stands between him and happiness: he will not relinquish the ten thousand a year on which Nancy’s hopes rest. When Bobbie falls under the sway of the roguish Nosey Ruslin, the stage is set for murder in the heart of Piccadilly – and for Nancy’s dreams to be realised.
    When Chief Inspector Wake of Scotland Yard enters the scene, he uncovers a tangled web of love affairs, a cynical Soho underworld, and a motive for murder.

Capital Crimes ed. by Martin Edwards
British Library 978-0712-35749-4, March 2015, 320pp, £8.99.
With its fascinating mix of people – rich and poor, British and foreign, worthy and suspicious – London is a city where anything can happen. The possibilities for criminals and for the crime writer are endless. London has been home to many of fiction's finest detectives, and the setting for mystery novels and short stories of the highest quality.
    Capital Crimes is an eclectic collection of London-based crime stories, blending the familiar with the unexpected in a way that reflects the personality of the city. Alongside classics by Margery Allingham, Anthony Berkeley and Thomas Burke are excellent and unusual stories by authors who are far less well known. The stories give a flavour of how writers have tackled crime in London over the span of more than half a century. Their contributions range from an early serial-killer thriller set on the London Underground and horrific vignettes to cerebral whodunits. What they have in common is an atmospheric London setting, and enduring value as entertainment.

Antidote to Venom by Freeman Wills Crofts
British Library 978-0712-35779-1, April 2015, 288pp, £8.99.
'Mr Wills Crofts is deservedly a first favourite with all who want a real puzzle' – Times Literary Supplement 
'He always manages to give us something that really keeps us guessing' – Daily Mirror
    George Surridge, director of the Birmington Zoo, is a man with many worries: his marriage is collapsing; his finances are insecure; and an outbreak of disease threatens the animals in his care.
    As Surridge's debts mount and the pressure on him increases, he begins to dream of miracle solutions. But is he cunning enough to turn his dreams into reality – and could he commit the most devious murder in pursuit of his goals?
    This ingenious crime novel, with its unusual 'inverted' structure and sympathetic portrait of a man on the edge, is one of the greatest works by this highly respected author. The elaborate means of murder devised by Crofts's characters is perhaps unsurpassed in English crime fiction for its ostentatious intricacy.